Greetings folks, hope you're doing okay - pinch and a punch of deja vu and all that.
28-day months are weird. Glad there's only one of them. We need that bit of off-centre in our calendar, imho, just to keep us alert. Anyway, it's been another soggy week in Amsterdam, what a surprise, but the temperature is going up, so there's that, meaning hype cat's mood is improving by the day as he gets more quality mousing in, and we've got a last minute skip out of the country planned for a few days that will hopefully remain dry and warm, so can't really complain too much, really.
Also not complaining about last week's mighty fine #CatsAndDogsVortex, which seemed pretty evenly split between canine/feline subject matter and weather-related topics. So thanks to everyone for chipping in tunes and @akx for the fine mixdown. Back to regular programming, we find @JimMcCauley with the frisb and this to say by way of introduction to tonight's pick...."I didn't read the NME or Melody Maker or even Sounds as a teenager. When I did bother with the music press it was Smash Hits, during its imperial 1980s phase. The fact that it was on the whole marketed at teenage girls is an irony that's not lost on me but hey, I just loved its whole vibe, although I quickly learned that it wasn't something to be seen reading at boys' rugby-and-cadets grammar school.
So, one of my top social follows these days is Rob Manuel's excellent Random Smash Hits bot, which serves up a random page every hour or so complete with a link to the entire issue on the Internet Archive. And it was thanks to one of these issues that I happened upon tonight's album a couple of weeks ago.
Basically there was an interview with one of those second division pop stars who persisted while never making much impact; like, I knew the name but none of his songs. So I looked him up on Wikipedia and found mention of an album that seemed very much up my street, the selling point to me that it was described as an inspiration for one of my favourite albums of all time.
A collaboration with a trombonist who'd quit a briefly popular band after getting sick of playing their big hit song, this album was made in response to discovering a London nightclub where people were taking drugs and dancing all night to crazy electronic music. The morning after one trip to this club, the two of them decided they were going to do something about it, and this is the result.
It died on its arse. At least two years ahead of its time but sounding very much of its time in terms of instrumentation, it's an anachronistic, experimental pop curio created for a scene that didn't really exist when it was released. Naturally it's right up my street; enjoy!"
Right then. Download's here, stream's below:
See you 20:00 later today.




