Howdy folks,
Hope you're all doing okay. Bright and dry here in Amsterdam, still a bit shivery, but the buds are growing fast on the lilac outside, which is a good first indication that spring is on its way, bang on schedule for a change. We're feeling replenished on that front anyways, having spent a few days in slightly warmer Roman climes, enjoying some ancient history (can't really avoid it) and tasty local produce (ditto), which was very much apprciated indeed.
Speaking of changing seasons, Daylight Saving has come into effect for some folks today, so if that's you, watch out when setting your tune-in alarms for the next couple of weeks, mkay?
Last Sunday we had @JimMcCauley in the chair, delivering a quality obscurity in the shape of Dr Calculus' "Designer Beatnik" from 1986, which certainly got the assembled grooving and scratching their heads simultaneously, which is quite an achievement. Thanks to Jim for the pick, and for sailing the frisb over to @ogili, who's here with today's intro..."Not going to lie, I only discovered this artist, and album a couple of days ago.
Which is good, because I really wanted to pick something from what’s known as ‘UK Underground’. A left field, experimental, British take on Urban music starting to strut its way into the global overground, again proving that it takes everything being a bit shit for British youth to make great music. I've been amused by the thick scouse drawl and scally swagger over minimal, brutalist, synthscapes of EsDeeKid starting to take off in America, a country which collectively can’t cope with a British accent which isn’t bone-china posh or gor-blimey cock-er-ney. Warmed to Dexter In the Newsagent’s recent ‘girl in her bedroom with a guitar’ style alt-R&B mixtape which deals with the death of her father and the anxiety of youth rather than the genre’s normal champagne sheen. Heard great things about ‘Black British Music’ by Jim Legxacy. But Esdeekid’s album is only 20 minutes long, Dexter In The Newsagent’s mixtape isn’t available to buy digitally yet, and ‘Black British Music’ is still on my ‘must get round to listen to this’ list.
Having said that, I’m not sure this is technically ‘‘UK Underground’ but it’s definitely British, laid back and experimental, jazz hop.
So get some respite from the shitstorm engulfing the world with this theatrical concept album released late last year. A story about coming to terms with being lost which weaves though lush jazzy soundscapes by the self-styled Prince of Cats, Lord of The Bins. His first release after a hiatus of 7 years after a very well received concept e.p/mini-album.
You want drinks suggestions? A saucer of warm milk infused with catnip and/or indica, Redstripe, or even a small glass of something from a bottle labeled ‘drink me’, would pair well."
See you 20:00 GMT, regardless of what timezone you find yourself in today.





